Wide Shot AI image prompts

Chinese weird dark mysterious style blended with Chinese aesthetics, perfect detail, multiple pipeline rendering, perfect modeling. Journey to the West background, Lion Camel Ridge, thousands of demons and monsters, the Elephant King in heavy armor sitting on a giant throne on the left, the Lion King in heavy armor sitting on a giant throne in the center, the Garuda King in heavy armor sitting on a giant throne on the right. A tiny Sun Wukong facing away from the camera, carrying his golden staff walking forward. Sun Wukong wears armor. Low-angle ground-level shot, telephoto lens, strong shadows. Extreme detail rendering, multiple revisions, correct perspective and subject lines, exquisite details.

Create a surreal, ultra-detailed photorealistic scene in a sunny public park pond: a young female artist, {argument name="artist appearance" default="East Asian woman in her early 20s with long black hair in two loose braids"}, stands waist-deep in clear water wearing an oversized off-white button-up shirt splattered with paint. She holds an oval painter’s palette covered in vivid orange, blue, white, and gold paint in one hand and uses a thin brush in the other to paint directly onto the surface of the pond. Beneath the water, the painting becomes an enormous floating portrait of {argument name="portrait subject" default="a beautiful pale woman’s face with blue eyes, glossy pink lips, rosy cheeks, and wet porcelain-like skin"}, with the face tilted diagonally across the lower right half of the image. The portrait’s hair transforms into a swirling school of exactly 55 koi fish, individually visible, in orange, red, white, gold, black-speckled, and bright blue patterns, flowing around the face like living hair. The brush tip touches a circular ripple on the painted forehead, creating delicate concentric rings. Around the pond are exactly 12 visible background people: 1 tall woman in a black sleeveless dress on the far left, 1 bearded man in sunglasses and a white shirt, 1 woman in a white summer dress, 1 seated person on a bench, 4 tiny distant park visitors near the center walkway, and 4 onlookers on the right consisting of 3 women in light dresses and 1 man in a black shirt. The setting is a manicured city park with stone pond edges, wooden benches, black lampposts, lush green trees, trimmed grass, and a blue sky with scattered white clouds. Use a low eye-level wide-angle composition from the waterline, with the artist centered slightly left and the giant face dominating the foreground. Style: {argument name="visual style" default="cinematic hyperrealism with magical realism, crisp 8k detail, natural daylight, rich reflections, realistic water refraction, painterly color accents"}. Mood: {argument name="mood" default="dreamlike, contemplative, astonishing, serene"}. Add a small elegant artist signature in the bottom right reading {argument name="signature text" default="Kabumisa"}. Avoid text elsewhere, avoid cartoon styling, avoid distorted anatomy, keep the water transparent and reflective, and make the koi and portrait blend seamlessly into the pond surface.

An in-game screenshot of Rust. Capture the survival game's distinctive visual style with its harsh environment, makeshift structures, rugged terrain, and characteristic lighting. Include typical gameplay elements like base buildings, resource gathering areas, and the game's signature post-apocalyptic wilderness atmosphere.

Create a cinematic wide city poster for {argument name="city" default="Paris"} at sunrise, combining a romantic café scene with a surreal giant-object aesthetic. The composition is a 16:9 horizontal poster: the left two thirds are dominated by an enormous translucent red onion sliced open into sweeping concentric purple-pink arcs, each layer glossy, semi-transparent, and covered with sparkling dew droplets; the onion functions like a monumental architectural shell or pavilion beside the river. At the lower left, place a tiny Parisian café with a pink-and-white striped awning, warm interior light, a sign reading “Café de Paris,” potted flowers, a black menu board, a vintage streetlamp, wicker chairs, and small round café tables. Include exactly 8 visible human figures: 3 seated diners at the main foreground table, 1 standing waiter beside them in black vest and white apron, 2 seated guests at a midground table under the onion arch, and 2 seated guests at a farther right table near the water. The right third opens to a soft-focus Seine riverside view with a bridge and the Eiffel Tower in the hazy distance. Use pastel dawn lighting, peach-pink sky, golden rim light, shallow depth of field, reflective wet pavement, delicate bokeh, dreamy luxury travel-advertising mood, hyperreal 3D realism blended with painterly cinematic softness. Add elegant bottom-right typography: large Chinese headline “{argument name="headline text" default="早安，巴黎"}” with smaller English subtitle “{argument name="subtitle text" default="Good Morning, Paris"}” beneath it, both in a refined thin serif font, muted plum color, spacious letter spacing. Avoid modern cars, clutter, extra landmarks, extra text, logos, or watermarks.

A hyper-realistic scene using the face of the person from the attached reference photo — keep their facial identity exactly as in the photo, do not change any facial features. The person is standing confidently in an urban street at night, extending index finger forward toward camera lens in a dynamic POV interaction. Wardrobe: dark crimson red striped baseball-style shirt, light inner shirt, cargo pants, necklace, and crossbody bag. Environment: neon-lit city with colorful lights and blurred passersby in the background. Cinematography: wide-angle perspective, soft bokeh, slight motion blur, cinematic lighting from cyberpunk street lights and city glow. UI overlay: smartphone video recording aesthetic with 'REC 00:00:00', '8K/60fps', frame brackets, 'VIDEO' and 'CINEMATIC' indicators. Rendered in Octane Render and Unreal Engine 5, 64K DSLR quality, 9:16 aspect ratio.

A horizontal split-screen cinematic shot of Times Square, New York, seamlessly blending two different eras: 1920s on the left and present day on the right. On the left side (1920s): show era-appropriate architecture, vintage vehicles, and props from the 1920s. Use the face of the person from the attached reference photo for the person in this scene — keep their facial identity exactly as in the photo, do not change any facial features. The person wears authentic clothing from the 1920s, including era-appropriate accessories and typical items in their hands. The overall mood feels nostalgic and historically accurate. On the right side (present day): show the same Times Square in the modern era, with LED screens, modern vehicles, and current technology. Use the face of the person from the attached reference photo for the person in this scene — keep their facial identity exactly as in the photo. The person wears contemporary fashion that matches today’s style. In the center: the two eras merge and overlap organically. The person from the 1920s and the person from the present day (both using the identity from the reference photo) visually interact, look at each other, or walk through each other’s space. Architecture and environment smoothly morph from old to new. Photorealistic, 8k resolution, cinematic lighting, wide angle, highly detailed textures, rich sense of time-travel storytelling. Aspect Ratio: 4:3

Create a wide cinematic photograph of a minimalist contemporary installation artwork in a white gallery room. The scene shows dozens of tiny suspended metal, acrylic, wire, and glass fragments hanging from the ceiling by thin vertical strings, carefully arranged in midair like an exploded deconstructed sculpture. Count the visible suspended components as about 45 discrete pieces: thin rods, small rectangular plates, angled strips, circular ring, crossbars, and tiny connector blocks, all in pale silver, clear, and off-white materials. A strong soft spotlight from above and behind projects their combined shadows onto the smooth concrete floor, forming four huge blurred Chinese characters reading {argument name="shadow text" default="来都来了"}. The shadow typography should dominate the foreground, oversized and soft-edged, stretching toward the viewer with realistic perspective. The physical hanging fragments should appear abstract and unreadable by themselves, but their shadows clearly align into the text. Use a serene museum aesthetic, warm white walls, curved seamless floor-to-wall transition, subtle haze, high-key lighting, long soft shadows, lots of negative space, and a calm beige-gray palette. Add very small exhibition-style captions near the bottom corners: on the lower left place the Chinese title {argument name="small title text" default="来都来了"} with a tiny English subtitle beneath it reading "COME SINCE YOU ARE HERE"; on the lower right add tiny bilingual-looking museum metadata lines including {argument name="artist label" default="BRAND INSTALLATION"}, "2024", and "SITE SPECIFIC". Keep the typography on the floor as shadow only, not printed ink. Photorealistic architectural installation art, 16:9 aspect ratio, viewed from a low frontal angle, no people, no clutter, no watermark.

Create a cinematic photorealistic landscape scene at the edge of the world: a single sleek {argument name="car color" default="silver-white"} high-performance sports car parked near the left foreground on a wet, dark volcanic cliff ledge, viewed from behind at a low three-quarter angle, with glowing red taillights and polished body reflections. The cliff drops dramatically into a vast ocean on the right, with jagged black rock faces, sparse grass patches, sea mist rising from below, and white waves crashing against rocks far beneath. In the distance, rugged coastal mountains recede along the left horizon. The sun is setting low over the ocean near the right-center horizon, casting a brilliant orange-gold reflection path across the water, while the sky is filled with heavy dark blue storm clouds broken by warm fiery light. Emphasize elegance and power, solitude, extreme height, cinematic scale, moody atmosphere, ultra-detailed textures, realistic lighting, high dynamic range, wide-angle composition, dramatic contrast between cool blue shadows and warm sunset glow. No people, no text, no watermark.